Essay Instructions: Introduction: 2 pages
Body: 10 pages
Conclusion: 1 page
Topic: Disneyland: The Fading Premise of Reality in a Postmodern Society.
(This topic is my primary selection. But you can change this that best fit/present your written research)
Key Terms:
Hyperreality, simulation, simulacrum, representation, postmodernism, identity (you can add 2/3 key terms if you like. I have uploaded a few research paper that are done previously by the seniors for your better understanding)
Find an additional location to Disneyland and compare and contrast the two in terms of simulacra, representation, hyperreality, simulation, identity ... ...You have to look for a location that could offer interesting points of discussion. It does not have to be a theme park, but it could be. you have ask and answer better questions. Find a few key postmodern concepts related to simulacra and discuss these with reference to your location and Disneyland. You can ask how postmodern identity is reinforced by another location and then see if it is similar to Baudriallrdâ??s claims, or not. Focus the essay to include an additional `theme park` besides Disneyland to discuss in the essay. you can discuss both parks in the essay, but you must find one that is somewhat different from Disneyland, so you may compare and contrast and draw a relevant conclusion.
Consider the notion of the amusement park. There are amusement parks all over the world that draw from different concepts of the hyperreal, and cultural specific notions of fantasy and escape. To locals these places may be the â??happiest place on earth,â?? whereas Disneyland may be viewed as a cheap knock-off of Americanism. Perhaps consider the Soui Tien amusement park in Viet Nam with its Buddhist themes featuring a ride that takes you through `the torments of hell`
http://www.vietnamhost.com/suoitien_park/index.html
Or, BonBonLand â?? an amusement park in Denmark owned by a candy manufacturer. The park includes some rather strange rides including a rollercoaster called `dogfart switchback`, as well as some rather risqué themed rides. You can find some photos here:
http://www.themeparkreview.com/europe2005/bonbonland/bonbonland1.htm
The hyperreal is not a universal concept that has to rely upon Disneyland. Expand upon the Baudrillardian notions.
References:
(In research paper it should have 2 Primary sources and 8-10 secondary sources (MLA format). I have mentioned a few sources below for your consideration. I have marked blue coloured sources as primary sources. Baudrillard simulation and simulacrum have to remain one of the primary sources but you can change the other blue coloured primary reference if you like. You can change a few secondary sources to a new source but please avoid unreliable sources, such as Wikipedia. Try to take secondary sources from article, journalâ?¦ etc.)
Auslander, Phillip (1999)Liveness; Performance in a Mediatized Culture, New York, Routledge.
Baudrillard (1983) Simulations, New York, Semiotext
Baudrillard, simulacra and Simulations.
http://www.stanford.edu/dept/HPS/Baudrillard/Baudrillard_Simulacra.html
Boyer, M. (1996) Cybercities: Visual Perception in the Age of Electronic Communication, New York: Princeton Architectural Press
Debord, Guy. (1995) The Society of the Spectacle, Donald Nicholson-Smith, translater, New York, Zone Books
Denzin Norman K., (1996). `Sociology at the End of the Century.` The Sociological Quarterly 37(4): 743-752.
Eco, Umberto. Travels in Hyperreality. New York: Salem Press, 1990.
Ewen, S. (1988). All consuming images: The Politics Of Style And Contemporary Culture. New York: Basic Books.
Fjellman, Stephen M. (1992) Vinyl Leaves: Walt Disney World & America. Westview Press.
Hall, Stuart (1996) `Who Needs Identity?` Questions of Cultural Identity. Eds. Stuart Hall, Paul du Gay. London; Thousand Oaks, California: Sage, pp. 1 -17.
Hannigan, John. (1998) Fantasy City: Pleasure and profit in the postmodern metropolis. London: Routledge.
Hickey, Dave (1997) Air Guitar Essays on Art and Democracy, Los Angeles, Art Issues Press
McCannell,D. (1989) The Tourist: A New Theory Of The Leisure Class, New York , Schoken, Revised Edition
Wilson, Alexander (1994) The Betrayal of the Future; Walt Disneyâ??s Epcot Center Disney Discourse Producing the Magic Kingdom, Eric Smoodin, ed., London, Routledge
There are faxes for this order.